This Iranian film (directed by Mohsen Makhmalbaf) was heavily censored by the authorities when it was released in 1990, with about 37 minutes being excised. Barely released at all, it…
Read moreWhy being a film buff is dangerous
I could trip up on the way to the cinema I could trip up on the way back from the cinema
Read moreGuest Review: Arrebato (Rapture)
I left home at dusk tonight, I returned when it was pitch black. It seems I’ve developed a habit of only going out after dark; a habit that’s grown out…
Read moreHow to improve the cinema-going experience
We live in an age where everyone has mobile phones, and cinemas now have a notice come up on the screen to remind people to switch their phones off. At…
Read moreTo Spoil Or Not To Spoil, That Is The Question
One of the perennial annoyances of film criticism and reviews is the habit of giving plot-points away. Sight and Sound being the worst example of this. Why do they have…
Read moreThere is no place like HOME
My favourite cinema is HOME in Manchester. As a longstanding visitor to The Cornerhouse (HOME’s predecessor) I was actually grieving its demise a couple of years ago, thinking nothing could…
Read moreOn the habit of rating films (or, why Stalker is like a Carry On film)
We live in an age when people love to rate a film, whether by giving it marks out of ten, or one to five stars, and so on. In this…
Read moreReview: The Handmaiden
Wow. Just wow. This film has to be Park Chan Wook’s masterpiece. It’s like everything he’s made before has been leading up to this film. Whilst I enjoyed Stoker, one…
Read moreOn the topic of seeing films more than once
Some people prefer to see a film once and leave it at that, regardless of how good the film is. Personally I often like to see a film more than…
Read moreAn unwritten law of the film universe, number 1
It seems to be an unwritten law of the film universe that when someone falls out of a window, there is a car parked directly beneath and they will land…
Read more